LTA MicroZOTL Preamplifier

$4,450.00

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The MicroZOTL Preamp is a superb reference-grade line level pre-amplifier that is the evolution of the original and brilliant audio circuit designed by David Berning, and stewarded into success by Linear Tube Audio. A great preamplifier will make an incredible difference in your listening experience and enable you to hear detail and nuance missed in most audio systems. You will be able to experience & hear the difference at our new Factory Showroom soon! or you can visit LTA in Takoma Park, MD right next to Washington DC

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Why We Love the MicroZOTL

LTA is cut from the same cloth as we are. They are defined by their passion to design & make innovative products themselves and work with people they like! They hire and train the staff that make everything they sell and have a passion for this business that makes them great partners for us and for our clientele. 

The MicroZOTL and the rest of the ZOTL product line is a unique design that is made by another interesting person we enjoy, David Berning! He has become a friend of ours as well. Basically, it all starts with great people who want to make excellent products themselves. 

You can learn more about David and the unique ZOTL technology he developed here.

What is a preamplifier and why is it so important?

A Preamplifier is one of the most important components in a system that does the crucial job of controlling what input source (Vinyl, CD, Digital, etc) you are listening to and how to carefully boost the volume without distortion or noise into the signal path prior to the power amplification to drive your speakers.

Preamps are in all audio systems in some form, either as component within an Integrated Amp, or as a separate component designed to do a better job just like a dedicated video card or sound card can do in a computer compared to machines with integrated video and sound cards.

The Preamplifier is often a part of an "Integrated Amp", which has both the preamp and power amp in it. These typical devices often include other components as well to deliver economy to make an entire system affordable. The tradeoff is often quality. To reduce the cost and fit everything into one box integrated amps have to make compromises. They also have greater complexity and with complexity comes greater engineering challenges.

This is why there are dedicated separate components like preamplifiers  and power amps. By keeping the device simpler and more singular, the quality and functionality can be increased thoughtfully to make a product that does a much better job.

Managing the audio signal at the "Line Level" or at a low signal level, a system can introduce more sophisticated controls like switching, and gain without the challenges of managing this at high power levels that would require bigger components which would be more costly and is just much harder to do. 

So the bottom line is that a great preamplifier curates and manages your low level audio signal without introducing distortion and noise that would make the experience worse at high levels. A bad preamplifier will introduce this noise which will be amplified along with the signals you want to hear (Garbage in, Garbage out, but louder).

What’s New in the Design

New features include:

4 single-ended RCA inputs using Cardas connectors 1 single-ended XLR input pair using Neutrik connectors - Volume controlled by stepped attenuator with Dale precision resistors and remote control 2 preamp outputs Headphone output Tape in/out and Tape  Monitor Improved power supply with 4X storage, choke isolated Belleson regulator, super low ESR poly-organic capacitors Balance control - uses software to control channel volume level - audio doesn't go through additional balance pot Remote control with Apple remote for volume and menus LED array display with adjustable brightness Ceramic circuit board with low dielectric loss Upgrades to the most significant capacitors in the audio path for wider soundstage Advanced protection circuit to eliminate speaker turn on/off thumps even in the event of a power outage NOS 12SN7s and 12AT7s included Auto-bias using 6V or 12V tubes Brightness control for display - 16 levels Display timeout - 10 seconds turns off - configurable Home Theater Mode - sets input of choice to fixed volume Volume levels come on at last level for each input Optional true balance input

ZOTL Features: 3 times tube life and 1/3 the heat output Ruler flat linear frequency response for accurate reproduction

Specifications

Amplifier class: Push-pull Class A, no feedback
Sensitivity: 0.6V RMS [full output]
Headphone Output impedance: (measured @ 0.5A, 60 Hz) 2 ohms
Input impedance: 50k
Hum and noise: minimum 60mV RMS or 90dB below full output (20Hz-20kHz)
Power consumption from ac power source: 33W
Channel separation: (4-ohm loads) 46dB, 100Hz-10kHz, (14-ohm loads): 54 dB, 100Hz-10kHz
Frequency response full power: (4-ohm load) +0, -1dB 10Hz-50kHz, (14-ohm load): +0, -1dB 5Hz-50kHz,
Voltage gain:  (4-ohm load): 10.3dB, (14-ohm load): 12.4dB
Tube complement per channel: 12AT7/6201 input, 6SN7 or 12SN7 output
Output Impedance: Headphone - under 2 ohms,  Preamp - 50 ohms

Dimensions

H - 4.5", W - 17", L - 12.5" (including volume knob)